搜索结果: 46-60 共查到“知识库 电影”相关记录619条 . 查询时间(0.524 秒)
The end of art?
end art
2015/8/13
Martindale (2009) suggests that all of art is coming, or has already come, to an end. Following Hegel’s lead, he suggests that all new art must communicate whilebeingrecognizablynew.Thesetwocriteria—c...
For the film goer who sits to the front and side of a movie theater, the virtual space "behind"the screen undergoes affine and perspective transformations. These transformations should, one would thin...
Rigidity in Cinema Seen From the Front Row,Side Aisle
Rigidity Cinema Seen Front Row Side Aisle
2015/8/13
Pictures and cinema seen at a slant present the optics of virtual objects that are distorted and incon-sistent with their real counterparts. In particular, it should not be possible for moving objects...
On the efficacy of cinema, or what the visual system did not evolve to do. In S. Ellis
efficacy cinema visual system did evolve S. Ellis
2015/8/13
On the efficacy of cinema, or what the visual system did not evolve to do. In S. Ellis.
If virtual reality systems are to make good on their name, designers must know how people perceive space in natural environments, in photographs, and in cinema. Perceivers understand the layout of a c...
Perceiving scenes in film and in the world. In J. D
Perceiving scenes film world. In J. D.
2015/8/13
Perceiving scenes in film and in the world. In J. D.
Reaction times exhibit a spectral patterning known as 1/f, and these patterns can be thought of as reflecting time-varying changes in attention. We investigated the shot structure of Hollywood films t...
Visual Activity in Hollywood Film: 1935 to 2005 and Beyond
film motion movement frames shots
2015/8/13
The structure of Hollywood film has changed in many ways over the last 75 years, and much of that change has served to increase the engagement of viewers’ perceptual and cognitive processes. We report...
How Act Structure Sculpts Shot Lengths and Shot Transitions in Hollywood Film
cinemetrics film acts Hollywood film shots transitions
2015/8/13
Cinematic tradition suggests that Hollywood films, like plays, are di-vided into acts. Thompson (1999) streamlined the conception of this large-scale film structure by suggesting that most films are c...
The changing poetics of the dissolve in Hollywood film
changing poetics dissolve Hollywood film
2015/8/13
Most films contain many shots knit together by several types of transitions,andbyfarthemostprevalentisthecut.Overthelast70years, fadesandwipes have become increasingly rare. Dissolves have also dimini...
Quicker,faster,darker:Changes in Hollywood film over 75 years
film motion luminance shot lengths
2015/8/13
We measured 160 English-language films released from 1935 to 2010 and found four changes. First, shot lengths have gotten shorter, a trend also reported by others. Second, contem-porary films have mor...
A Window on Reality: Perceiving Edited Moving Images
movies visual cognition eye movements memory attention perception space time
2015/8/13
Edited moving images entertain, inform, and coerce us throughout our daily lives, yet until recently, the way people perceive movies has received little psychological attention. We review the history ...
In a recent issue of Projections, Cutting, Brunick, and DeLong (2011b) reported that the structure of film acts—the four relatively equal-length stretches of film determined by the progression of the ...
We selected 24 Hollywood movies released from 1940 through 2010 to serve as a film corpus. Eight viewers, three per film, parsed them into events, which are best termed subscenes. While watching a fil...
Low-level features in film:What they are and why we would be lost without them
Low-level features film lost without them
2015/8/13
The narrative of a fi lm is oft en cited as the driving force for viewers’ attention to and engagement in a fi lm. Th e narrative is also conceptually the most vivid for fi lm viewers; it is not oft e...