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Costume Design for Th Winter's Tale by William Shakespeare
Costume Design The Winter's Tale William Shakespeare
2014/10/17
This paper discusses a theoretical costume design for The Winter’s Tale by William Shakespeare. The costume designer chose to set the production in an imaginary, fanciful place, with Gothic fashion, a...
Th Trestle at Pope Lick Creek: A Play in Production
Th Trestle at Pope Lick Creek A Play in Production
2014/10/17
In the fall of 2008, I directed Naomi Wallace’s The Trestle at Pope Lick Creek in the Curtain Theatre at UMASS, Amherst. It was for me a great experience of fun,
learning, and intimate collaboration,...
Dressing Cultures: Costume Designs For Pericles
Dressing Cultures Costume Designs Pericles
2014/10/17
This paper examines the costume designs, character analysis, and the process of design collaboration involved in the production of Pericles, Prince of Tyre done in the spring of 2009 at the University...
Within this thesis I aim to prove that working outside my personal artistic comfort zone has ultimately been beneficial to all my work as a theatre artist. Specifically, I explore the greater merit of...
Dramaturgs have been struggling to define themselves and assert their raison d'être in the American theatre for the past four decades. In an evolving theatrical landscape that includes expanding new ...
French Canadian playwright Joseph Armand Leclaire (1888-1931) was very well known and respected in his time. Although he wrote over thirty plays, lyrics to several songs and an abundance of political ...
"Speak to me in vernacular, doctor": Translating and Adapting Tirso de Molina's El Amor Médico for the Stage
Speak to me in vernacular, doctor Translating Adapting Tirso de Molina's El Amor Medico
2014/10/17
Considered one of the greatest playwrights of the Spanish Golden Age, Tirso de Molina (1580?-1648) lived something of a double life, alternating—much like the characters in his plays—between two separ...
C.D. Grabbe's Hannibal: A New Translation for the American Stage
C.D. Grabbe's Hannibal the American Stage
2014/10/17
[Grabbe] ließ in der ersten Ausarbeitung dieses Stücks ... dem schrecklichsten Hohn ganz freien Lauf. So erinnere ich mich, als Hannibal gezwungen war, Italien zu verlassen, hielt er einen Kriegs...
Th Dramaturgy of Dialect: An Examination Of Th Sociolinguistic Problems Faced When Producing Contemporary British Plays In Th United States
The Dramaturgy of Dialect An Examination Of The Sociolinguistic Problems Faced Contemporary British Plays Th United States
2014/10/17
While the United States and Britain both have proud and distinct theatrical traditions,each has been extensively influenced by the other1. At the same time, despite a rich history of cultural exchange...
Costumes for " Th Magic Flute", Composed by W. A. Mozart, Librett by Emanuel Schikaneder
Th Magic Flute Composed by W. A. Mozart Libretto by Emanuel Schikaneder
2014/10/17
The Magic Flute is Mozart's most beloved opera. It achieved popular success when it was first produced in Vienna on September 30, 1791, and it continues to be performed all over the world to the delig...
固守精神家园 传承和谐文化——读申波教授《文化记忆与歌乐舞韵》有感
云南 戏台 传承 多元文化
2016/3/10
云南戏台见证了云南戏剧艺术的成熟发展变迁，不仅是多元文化观下本土非物质
文化遗产传承的重要平台，又是和谐社会背景下的群众文化建设的动态空间。申波教授以其
一贯的知识分子人文关怀的思想态度和深厚卓越的艺术素养，用图文并茂的形式、以夹叙夹
议的表达讨论了云南戏台的社会功能和文化特性，进而评述经济迅猛发展的新时代背景下如
何营造人类文化空间和安顿精神家园这一全社会关注的命题。
戏剧行动与完美假象——司汤达的莎士比亚戏剧美学观
司汤达 莎士比亚 戏剧美学观
2015/5/14
作为“浪漫主义旗手”的司汤达在《拉辛与莎士比亚》中集中阐述了他的美学观。即他的现实主义创作原则。他强调莎士比亚戏剧在美学上不同于古典主义戏剧之处和取得的美学成就，就在于莎剧中成功地运用了戏剧行动并使观众获得了完美假象。
戏剧影视研究所的历史，可以追溯至1922年，曲学大师吴梅先生南归授曲，将传统曲学引入我校教学科研中。陈中凡先生和吴梅先生的三位弟子卢冀野先生、钱南扬先生、吴白匋先生作为后继者，将传统的曲学研究进一步发扬光大，陈白尘、陈瘦竹二先生现代戏剧研究的引入，更加扩大了本学科的研究领域，在海内外享有盛誉。新时期以来，董健教授和吴新雷教授，分别在现代戏剧与古典戏曲方面，为本学科点的继承发展发挥了关键性作用，使本...
李少春和他的表演艺术 ——关于京剧艺术发展问题的一次谈话
李少春 京剧 艺术
2013/6/9
马长礼在科班跟孟(小冬)先生学《奇冤报》时,她曾对我们说,当初谭鑫培演这出戏不是拱桌子,而是摘巾子,高毛出去。我就想,这么大个桌子可怎么出去呢?有一天听说李少春在华乐演《奇冤报》,豁出挨打也得去看。那天的印象深极了,只见李先生用脚后跟一踢椅子,扔巾子,一个吊毛翻出去,整个褶子全扑在那,漂亮极了。