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Th Role of Organicism in the Original and Revised Versions of Brahms's Piano Trio in B Major, Op. 8, Mvt. I: A Comparison by Means of Grundgestalt Analysis
Organism in the Original Revised Versions Brahms Piano Trio B Major, Op. 8, Mvt. I Means of Grundgestalt Analysis
2014/10/20
Johannes Brahms’s revision of the B Major Piano Trio, Op. 8, hereafter referred to as the Piano Trio, presents a unique analytical opportunity. By allowing two versions to coexist, Brahms not only gav...
Venerable Style, Form, and the Avant-Garde in Mozart’s Minor Key Piano Sonatas K. 310 and K. 457: Topic and Structure
Venerable Style From the Avant-Garde Mozart’s Minor Key Piano Sonatas K. 310 and K. 457 Topic and Structure
2014/10/20
Although the topoi and elements of what has been described as the “Venerable Style” (V.S.) are found in many places in Mozart’s solo keyboard sonatas, the obsessive juxtaposition of these elements aga...
A Cinematic Lens on Talent Development in Piano Prodigies: Considerations for Positive Psychology
Creativity Music Positive Psychology Flow Media
2013/2/21
This article examines talent development in piano prodigies through a case study of the life of Australian pianist David Helfgott as depicted in the film Shine. Utilizing theory from positive psycholo...
Many Chinese pianists, Lang Lang and Yun-di Li for example, received international recognition in recent years. When study the history of piano study and composing in China, it is not surprising that ...
Skalkottas’s First Suite for Piano, First Movement (1936): From First Ideas to Realization
Skalkottas First Suite Piano First Movement First Ideas
2008/10/24
Even if, in retrospect, one finds too much of a naive pride in Schoenberg's belief that he had given a new supremacy to the German-Austrian tradition for a hundred years to come, it is more and more o...
Principles of Pitch Organization in Scriabin’s Early Post-tonal Period: The Piano Miniatures
Scriabin piano miniatures octatonic scale acoustic scale whole-tone scale pitch substitution genus transformation
2010/3/24
Scriabin’s post-tonal period, which begins around 1909 with Feuillet d’album, Op. 58, is defined by the subtle and sophisticated exploitation of some special non-diatonic sets and their pitch universe...
Movements for Piano and Orchestra（图）
New York City Ballet Movements for Piano and Orchestra
2008/6/23
Photo Paul Kolnik
Music
Movements for Piano and Orchestra (1958-1959) by Igor Stravinsky
Choreography
George Balanchine ? The George Balanchine Trust
Premie...
Photo Paul Kolnik
Music
Piano Concerto No. 17 in G by Wolfgang Amadeus Mozart
Choreography
Peter Martins
Premiere
May 19, 1994, The Diamond Project ...
Concerto for Piano and Winds (1982)（图）
New York City Ballet Concerto for Piano and Winds (1982)
2008/6/20
Photo Martha Swope, Courtesy of New York City Ballet Archives
Music
(1924) by Igor Stravinsky
Choreography
John Taras
Premiere
June 10, 1982, New Yor...
Eros Piano（图）
New York City Ballet Eros Piano
2008/6/20
Photo Paul Kolnik
Music
Eros Piano by John Adams
Choreography
Peter Martins
Premiere
June 2, 2004, New York City Ballet, New York State Theater
...
Music
Etude in C-sharp major, Op. 8, No. 1 (1894) by Alexander Scriabin
Choreography
George Balanchine ? The George Balanchine Trust
Premiere
June 4, 1977, S...
Photo Paul Kolnik
Music
Concerto in F (1925) by George Gershwin
Choreography
Jerome Robbins
Premiere
February 6, 1982, New York City Ballet, New Yor...
Tschaikovsky Piano Concerto No. 2（图）
New York City Ballet Tschaikovsky Piano Concerto No. 2
2008/6/18
Photo Paul Kolnik
Music
Piano Concerto No. 2 in G, Op. 44 (1879-80) by Peter Ilyitch Tschaikovsky
Choreography
George Balanchine ? The George Balanchine Trust
...
Piano Pieces（图）
Piano Pieces New York City Ballet
2008/6/18
Photo Paul Kolnik
Music
Danse Caracteristique, Op. 72, No. 4; Le Paysan Prelude, Op. 39, No. 12; Chanson Populaire, Op. 39, No. 13; Polka, Op. 39, No. 14; Le Petit Cavalier,...
"Schenkerian-Schoenbergian Analysis" and Hidden Repetition in the Opening Movement of Beethoven's Piano Sonata Op. 10, No. 1
motive hidden repetition Grundgestalt musical idea, Schenker Schoenberg Beethoven
2010/3/29
A process akin to Schoenberg's "musical idea" accounts to a large degree for motivic coherence in the first movement of Beethoven's Piano Sonata Op. 10, No. 1. My article illustrates this process by m...