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影响电影衍生品消费意愿的因素研究
电影衍生品 消费行为 消费意愿 问卷调查
2015/10/29
电影衍生品的开发成为快速发展的中国电影产业的新增长点,情节联系、电影偏好、情感涉入、
情感迁移以及年龄、性别与电影衍生品的消费意愿之间存在着紧密的联系,充分利用这些消费心理和个性特
征研究消费行为,利用消费心理进行准确细致的市场定位,是电影衍生品开发的必经之途.
滑稽打闹喜剧电影的类型传统与当代传承
滑稽打闹喜剧电影 类型 滑稽短片
2015/10/29
在当代电影市场,滑稽打闹喜剧类型正逐渐赢得票房,成为显性而瞩目的类型形态,其美学特
质和形式要素早在百年前中国电影拓荒期的滑稽喜剧短片中即可循迹溯源. 当代滑稽打闹喜剧电影延续了
早期滑稽类型短片的诙谐打闹类型传统,在当代语境中对其显性的类型元素有所传承和放大. 探讨早期滑稽
短片在当代滑稽打闹喜剧类型电影中的传承,对中国现代商业电影市场发展的类型方向和类型建构,具有历
史性和当下性的双重...
On Perceptual Information and Fitting Models to Data:A Reply to Massaro and Cohen (1993)
Perceptual Information Fitting Models Data Massaro Cohen
2015/8/13
Cutting, Bruno, Brady, and Moore (1992) investigated the properties of Massaro's (1987) fuzzy-logical model of perception (FLMP) and other models. Among their results, they found that FLMP and an addi...
Traditionally, models are compared on the basis of their accuracy, their scope, and their simplicity. Simplicity is often represented by parameter counts; the fewer the parameters, the simpler the mod...
Fractal curves were generated on square initiators and rated in terms of complexity by eight viewers. The stimuli differed in fractional dimension, recursion, and number of segments in their generator...
Affine Distortions of Pictorial Space:Some Predictions for Goldstein (1987) That La Gournerie (1859) Might Have Made
Affine Distortions Pictorial Space Some Predictions Goldstei La Gournerie Might Have Made
2015/8/13
Goldstein (1987) studied the perception of pictures seen from the front and the side. Several distinctions arose from his results and analysis, but only one is central to the reanalysis presented here...
Compensation is unnecessary for the perception of faces in slanted pictures
Compensation unnecessary perception faces slanted pictures
2015/8/13
In four experiments, we explored the perception of facial distortions seen in pictures viewed from the side or from above or below. In all four, however, we disguised the slant of the picture surface ...
If virtual reality systems are to make good on their name, designers must know how people perceive space in natural environments, in photographs, and in cinema. Perceivers understand the layout of a c...
Pictures and their special status in cognitive inquiry. In J. Hochberg
Pictures special status cognitive inquiry J. Hochberg
2015/8/13
Pictures and their special status in cognitive inquiry. In J. Hochberg.
Images,imagination,and movement: Pictorial representations and their development in the work of James Gibson
Images,imagination movement Pictorial representations development work James Gibson
2015/8/13
For more than 30 years James Gibson studied pictures and he studied motion, partic-ularly the relationship between movement through an environment and its visual consequences.For the latter, he also s...
Representing motion in a static image:constraints and parallels in art,science,and popular culture
Representing motion static image constraints parallels art science popular culture
2015/8/13
Representing motion in a picture is a challenge to artists, scientists, and all other imagemakers. Moreover, it presents a problem that will not go away with electronic and digital media, because ofte...
Reconceiving perceptual space. H. Hecht.
Gustave Caillebotte,French Impressionism,and mere exposure
Gustave Caillebotte French Impressionism mere exposure
2015/8/13
Gustave Caillebotte was a painter, a collector of some of his colleagues’ most renowned works, and a major force in the creation of the late 19th century French Impressionist canon. Six studies are pr...
The mere exposure effect and aesthetic preference. In P. Locher
mere exposure effect aesthetic preference Locher
2015/8/13
The mere exposure effect and aesthetic preference. In P. Locher.
Mere exposure,reproduction,and the impressionist canon.In A. Brzyski
Mere exposure reproduction impressionist canon Brzyski
2015/8/13
Mere exposure,reproduction,and the impressionist canon.In A. Brzyski.