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Chloe Hooper’s novel A Child’s Book of True Crime powerfully responds to the expressions of non-indigenous disconcertion over the devastation caused to indigenous people and their environments throu...
A number of recent successful Australian narratives have revealed a striking fixation with trees, especially indigenous trees, and particularly the eucalypt. Most obviously in Murray Bail’s Eucalypt...
“Only connect . . .” E. M. Forster, Howard’s End (epigraph) To give a truthful account [. . .] is beyond the powers of the biographer or the historian. [. . .] Fiction is truer than fact. Virgini...
The fake presupposes the genuine. The fake author implies the real author, and fake literature presupposes real literature. But literature itself is often about— perhaps fundamentally about—successf...
For over two weeks now my newspaper (broadsheet, Fairfax-owned) has been carrying daily instalments of the latest sex scandal surrounding soccer super-star David Beckham: revelations of affairs with...
What I would insist upon is the importance of keeping in mind when doing a local or a national case study the wider frame of reference within which any case can be situated. [. . .] Nothing occurs ...
Dorothy Green was a formidable figure in the field of Australian literature. I first met her twenty five years ago at a symposium in Sydney hosted by Geoffrey Sharp, the then editor of Arena. The id...
“Did she not threaten us all with her diary, to be published when she was safely dead?” (Marjorie Barnard qtd. in Carole Ferrier, As Good as a Yarn with You 21)
This essay examines the retrospective gaze of two Australian feminist intellectuals, focusing on the rhetorical operations by which the personal and public lives of women are rendered interchangeabl...
Katherine Langloh Parker’s Australian Legendary Tales provides a useful case study in formulating the role of women writers in the transformation of culture as a specific function in the expansion o...
The narrator, Harley, of Kim Scott’s novel Benang, suggests that he is writing “the most local of histories” (10). However, he also questions what it is that he is writing—“What was it? A family his...
Developing out of the changing demographic composition of countries in the twentieth century, policies of multiculturalism embody an attempt by the state to encourage and celebrate ethno-cultural di...
M. Barnard Eldershaw’s novel Tomorrow and Tomorrow and Tomorrow was written during and just after World War II. This was a fraught period for Australia’s writers. People questioned what role the w...
On 5 October 1945, Robert Lindsay, a retired gentleman of Creswick, wrote to his brother Norman: I really started out to say how we both enjoyed your last book, and have had many enquiries by the c...
Like writers from overseas, Australian authors commonly invoke the mythology of Eden in narratives about childhood. Childhood is typically viewed as a time of blissful innocence where the infant pos...

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