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It has long been recognized that Archibald Lampman’s "Among the Timothy" has a kind of psychology at its core. The poem’s references to "moods," "brain," "thought," "dream," and "will" are frequent en...
Towards the end of the Preface to The Picturesque and the Sublime: a Poetics of the Canadian Landscape, Susan Glickman writes: "[i]t is the argument of this book that eighteenth-century aesthetic conv...
he Politics of Nature: Archibald Lampman’s Socialism
he Politics of Nature Archibald Lampman’s Socialism
2014/1/18
In the Winter 1952 issue of the Toronto literary magazine New Frontiers, the anthologist and critic Margaret Fairley surveyed some of the principal trends and artists in the Canadian cultural heritage...
Duncan Campbell Scott’s first book of poetry, The Magic House and Other Poems, was published in Canada in 1893.1 In addition to having been issued in a banner year for Canadian poetry,2 this book was ...
William Robe, Quebec
William Robe Quebec
2014/1/18
William Robe (1765-1820) is now remembered primarily as the designer of two Georgian buildings in Quebec City: the Anglican Cathedral of the Holy Trinity and the circular market in the City’s Upper To...
Archibald Lampman
Archibald Lampman disappeared
2014/1/18
"Not an editorial writer…mourn[ed] him….The radio broadcast let…his passing pass….Nobody…missed him enough to report" (Klein 634). Nobody, that is, except a few students and faculty at McGill, Western...
On the Cutting Edge: Ian Tyson, Cutting Records, Cutting Horses, Cutting Crap
Ian Tyson Cutting Records Cutting Horses Cutting Crap
2014/1/15
First, some historical and biographical background. Prior to 1880, the Canadian prairies had been known primarily to Indians, fur traders, Mounties and missionaries. Between 1874 and 1881, however, ...
What Moss Means Now
Moss Linda Hutcheon postmodernist
2014/1/15
John Moss occupies a unique position in Canadian literary critical history for a number of reasons. During the 1970s, Moss’s Patterns of Isolation, among other works, established him as one of the mos...
Mourning in the Burned House: Margaret Atwood and the Modern Elegy
Margaret Atwood the Modern Elegy Burned House
2014/1/15
On January 5, 1993, Margaret Atwood’s father died following a long illness (Cooke 311). Carl Atwood is commemorated by his daughter in a sequence of twelve poems which form section IV of her 1995 coll...
Here is a complex, forceful, generally useful and gracefully articulated machinery intended to insert the partly derivative, partly unique development of Pratt’s work into a larger history of modern p...
A Preference for the Classical: Notes on the Art of Don Coles
Classical Art article-cum-interview
2014/1/15
Don Coles has now published eight volumes of verse (nine, if one counts Someone has stayed in Stockholm, his selected poems published in England) that extend over a quarter of a century from Sometimes...
This is Not a Biography: Pauline Johnson and the Process of National Identity
Pauline Johnson the Process of National Identity Canada
2014/1/15
Anyone familiar with the literary criticism on early twentieth-century Canada knows that the writer and performer Pauline Johnson has long been a source of fascination for students of the period. Beca...
On the Confederation Poets' Companionship with Nature: Lampman
Poets' Companionship Nature Lampman
2014/1/15
As observed in the first preface in this series, three collections of essays by the American naturalist John Burroughs, Winter Sunshine (1875), Birds and Poets, with Other Papers (1877), and Pepacton...
It is a great pleasure to announce that Elizabeth Thompson has won the Mary Buchanan Award for Unintentional Humour in Canadian Poetry for "Follies of To-day" by Mary Jemima MacColl (1847—?).
Effacing "Mem’ry’s Page": the Agon between Orality and Literacy in Adam Kidd’s The Huron Chief
Mem’ry’s Page Orality Literacy
2014/1/15
The historical conflict between North American Natives and European colonists roughly parallels the debate between orality and literacy that has been waged since writing first developed and irrevocabl...