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Th affctive properties of keys in instrumental music from the late nineteenth and early twentieth centuries
keys in instrumental music the late nineteenth early twentieth centuries
2014/10/20
The concept of affective properties of keys is based on the assertion that different tonalities are able to provide particular moods to music. Discussions regarding the existence and validity of this ...
Review of William E. Caplin, Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
analysis classical style Schoenberg Ratz Formenlehre
2010/3/29
Reviving the Formenlehre tradition as taught by Arnold Schoenberg and Erwin Ratz, Caplin attempts to accommodate the method to a specific but stylistically complex repertory: instrumental works of Hay...
Review of Peter H. Smith, Expressive Forms in Brahms’s Instrumental Music: Structure and Meaning in His Werther Quartet
Brahms expression meaning musical structure
2010/3/24
[1] Despite its being published as part of a series devoted to musical meaning and interpretation, Peter Smith’s Expressive Forms in Brahms’s Instrumental Music: Structure and Meaning in His Werther Q...