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Review of William E. Caplin, Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
analysis classical style Schoenberg Ratz Formenlehre
2010/3/29
Reviving the Formenlehre tradition as taught by Arnold Schoenberg and Erwin Ratz, Caplin attempts to accommodate the method to a specific but stylistically complex repertory: instrumental works of Hay...
The Contredanse, Classical Finales, and Caplin’s Formal Functions
form Caplin theme period sentence hypermeter dance menuet contredanse Mozart Haydn American Memory Playford Clarchies Bacquoy-Guédon La Cuisse
2010/3/25
Formal designs employing 2, 4, 8, and 16 measure units were basic to eighteenth-century music for dancing. Although the menuet was more flexible, the contredanse was firmly rooted in this “quadratic s...