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Reception theory, despite its influence, has been criticised for its lack of attention to the social contexts of reception. It has also mainly been applied within one national context. This essay ex...
When artists in nineteenth-century Germany no longer had the economic security of working permanently either for the Church or the Crown, and thus had to face the challenges of the open art market, th...
This article examines the relationship between Prologus in tonarium by Abbot Bern of Reichenau (d. 1048) and the eleventh-century music treatise known today as 'Anonymous I' (first published by Dom. M...
Central to the generally accepted picture of Mendelssohn reception is the notion that his reputation declined sharply in the years following his death in 1847. From the 1960s to the present, Mendelsso...
April 25, 2007,MIT’s Visual Arts Program (part of the Department of Architecture) and the Goethe-Institut Boston are partnering to present "40 Years of Video Art in Germany," a series of events suppor...
The Institut f黵 neue Musik in Berlin hosted a three-day series of lectures and concerts on "The Beginnings of Serial Music." Music of four composers central to serial music, Barraqu? Boulez, Goeyvaert...

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