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In 1980 Talonbooks published Beyond Even Faithful Legends, bill bissett's Selected Poems. bissett's career up to that point had spanned fifteen years and over forty books. Len Early provided an introd...
This essay begins by examining the relationship between self, place and memory in Vincent Buckley’s Golden Builders sequence and proceeds to make connections with his oeuvre as a whole. In response to...
The poetry of Judith Arundel Wright, a contemporary Australian artist born in Armidale, New South Wales in 1915, offers us an interesting poetic reading of Australia's past and a deep meditation on th...
This paper focuses on Wilde's letter, De Profundis, with relation to various forms of debt (economic and moral-metaphorical), which, it is argued, function within an economy of symbolic exchange and d...
This paper sets out to argue that contemporary British fiction, by using palinodes, palindromes and palimpsests both on the micro- and macro-structural levels, favours a logic of association of contra...
By means of a mythic journey into the collective unconscious, Dylan Thomas transforms this Welsh cultural values into a symbolic synthesis that explains the poet's presence in Cosmos as a link betwee...
In his late writings, Michel Foucault submits Enlightenment rationality to critical re-appropriation. As my analysis will point out, Foucault finds support for his re-interpretation of Kant's Enlighte...
Herbert’s Poor Fellow My Country (1975) anticipated edgy twenty-first century national conversations about race relations and ecology currently occurring in Australia in the disciplines of history and...
In the prefatory remarks to her final major collection of poetry, The Self-Completing Tree (1986), Dorothy Livesay states that "This is the selection of poems that [she] would like to be remembered by...
Until recently, Canadian critics justly complained of the neglect, not just of individual works, but of Canadian literature itself. According to many of the contributors to Canadian Canons, we now com...
Daphne Marlatt has written that to become "aware of th[e] dialogue on the many fringes" of "white, middle-class, heterosexual, Anglo-American/Canadian" culture — to "listen . . . to other women's word...

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