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Adapting Lyricism: Clive Holden's Trains of Winnipeg and the Lyric in Film
Adapting Lyricism Clive Holden
2009/12/4
The adaptation of poetry to film is rare, and discussions or analyses of such adaptations are even rarer. Clive Holden's film cycle Trains of Winnipeg: 14 Film Poems (2004) offers not only fourteen e...
'Performing Hitchcock': Robert Donat, Film Acting and The 39 Steps (1935)
Performing Hitchcock Robert Donat
2009/12/4
This article offers a speculative exploration of performance in a Hitchcock film by looking in detail at Robert Donat's characterisation of Richard Hannay in The 39 Steps (1935). It has been argued th...
Early Connections Between Film and Emerging Media as Evidenced in the Animated Worlds of Adam Beckett
Film Emerging Media the Animated Worlds Adam Beckett
2009/11/27
Making a “film” today rarely involves a journey to the lab as images are more often recorded digitally and not on celluloid. Even video’s electromagnetic record is transformed to bits and bytes. There...
Half-breed Dog, Half-breed Film: Balto as Animelodrama
Half-breed Dog Half-breed Film Balto as Animelodrama
2009/11/27
Linda Willams (1998) defines melodrama as “a peculiarly democratic and American form that seeks dramatic revelation of moral and emotional truths through a dialectic of pathos and action” (p. 42). Thi...
Just Look At Me Now:Problems of Viewing in Film Noir Edward Dimendberg (2004) Film Noir and the Spaces of Modernity
Problems of Viewing Film Noir Edward Dimendberg Spaces of Modernity
2009/11/25
Edward Dimendberg’s Film Noir and the Spaces of Modernity sets itself some
high goals. Armed with an impressive knowledge of philosophy, urban
geography, architecture and planning, social history, c...
Edward Dimendberg (2004) Film Noir and the Spaces of Modernity
Edward Dimendberg Film Noir Spaces of Modernity
2009/11/25
There is possibly no genre that has recently captured the critical eye of both academic
scholars and cinephiles more than film noir. While difficult to define, film noir has been an
especially rich ...
Mapping Film Studies
Film Studies Mapping
2009/11/25
The title of Chateau’s book sounds more essentialist than it is actually meant to be. Most readers might expect systematic research into at least one of two questions: 1. what is philosophical in film...
Pam Cook’s Screening the Past is essentially a collection of disparate articles that reflect
aspects of her research interests from 1982 to the present day. However, the author has
collated her work...
Michael Temple (2006) Jean Vigo (French Film Directors) Manchester University Press:Manchester
Michael Temple Jean Vigo Manchester University Press
2009/11/25
Michael Temple’s Jean Vigo provides a well-documented reference to the life and work of the
young French director who died in the prime of his talent. The book starts with a short biography which ena...
Robin Curtis (2006) Conscientious Viscerality:The Autobiographical Stance in German Film and Video
Robin Curtis Conscientious Viscerality Autobiographical Stance German Film and Video
2009/11/25
As Robin Curtis points out the 19th century neologism autobiography is made up of three stem
words derived from the Greek terms autos, bios, and graphe, respectively, the self, the life,
and, with r...
This book enters a realm of highly blurred borders and amicable contention. For one, we
have the array of rubrics for thinking and writing about cinema – all with fuzzy edges: Film
as Philosophy, Fi...
Affirmation?New York Film Festival Report 2007 (Part Two)
Affirmation New York Film Festival Report 2007
2009/11/25
The most “cheer” spread by this year’s offerings, if we stretch the point, was to be found in a number of uncertain nods to the persistence and endurance of the human capacity for–being
human. Consid...
Anxiety:New York Film Festival Report 2007 (Part One)
Anxiety New York Film Festival Report 2007
2009/11/25
In this year’s offerings, anxiety runs high and affirmation is a wan beam of sunlight in a stormy landscape. At times, indeed, affirmation is more chilling than reassuring. In a range running from gre...
Samuel Beckett wrote just once for the cinema. Film was written in 1963 and first shown publicly in 1965, forty years ago (Beckett 1986, 321–334). Film was shot in New York in 1964, with the opening e...
Beyond Ontology:Levinas and the Ethical Frame in Film
Beyond Ontology Levinas Ethical Frame in Film
2009/11/25
From its beginning, film set forth a new scene for ethical and moral engagement. For more than a century, film’s frame and image have opened fresh space for enacting ethical and moral conflicts and di...