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Beyond Words: The Moving Body as a Tool for Musical Understanding
Eurhythmics body movement pedagogy aural skills kinesthesia
2010/3/29
Instructors of aural skills traditionally rely upon singing and dictation, and intoning and tapping rhythms for teaching students. This study focuses on an approach that engages the moving body (drawn...
What is a Musical Feature? Forte's Analysis of Brahms's Opus 51, No. 1, Revisited
analysis feature motive Brahms Forte
2010/3/29
A theory of musical features is presented. The theory emphasizes how a given work is distinguished from other works in some musical corpus. A number of general concepts are defined including presence,...
Review of Eleanor Selfridge-Field, Beyond MIDI: the Handbook of Musical Codes
data formats notation music
2010/3/29
[1] Since the days of the earliest electronic computers, musicians have engaged them in a veritable love/hate relationship. We seem to have little or no indifference towards computers. Indeed, individ...
Review of Joseph Swain, Musical Languages
music language phonology syntax semantics metaphor
2010/3/29
Joseph Swain's Musical Languages is a systematic comparison of music and language, examining possible musical parallels to linguistic concepts such as phonology, syntax, meaning and metaphor, and also...
A Review of the Humdrum Toolkit: UNIX Tools for Musical Research, created by David Huron
computer applications database software tools humdrum David Huron
2010/4/21
David Huron's Humdrum Toolkit is a set of software tools created for computer-assisted musical research. This review describes and evaluates the Toolkit and the music representation schemes that suppo...
The Computer Presentation of Musical Research: A Case Study（图）
HyperCard CD-ROM John Adams computer-assisted instruction
2010/4/22
The traditional format for the presentation of musical
research, the journal article, makes referencing musical passages less
direct than ideally desired. CD-ROM technology provides a means for
th...
[1] Having just delivered a paper entitled "In Search of
Musical Events" at the 12th IAPR International Conference
on Pattern Recognition in Jerusalem (1), I feel at least
somewhat qualified to ...
Musical Worlds and the Metaphysics of Analysis
Heidegger fundamental ontology hermeneutics Cochrane Smoliar
2010/4/22
[1] I would like to begin these brief remarks by thanking Stephen
Smoliar and Richard Cochrane for their thought-provoking and carefully
considered responses to my essay; it is certainly one of the...
Destructuring Cartesian Dualism in Musical Analysis
Heidegger Husserl phenomenology fundamental ontology hermeneutics
2010/4/22
The following study represents work-in-progress. In
this preliminary study I will explore the topic of subject-object
dualism as it arises in musical analysis. My work is strongly
influenced by M...