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Francesco’s Dream: Musical Logic in Landini’s Three-Voice Ballate
Landini ballata medieval music William of Ockham
2010/3/24
Francesco Landini composed a dream-vision in Latin verse, in which he evinces intimate knowledge of works by the logician William of Ockham. Exploring the logic aspect of the dream-vision, as opposed ...
《民族音乐学理论与方法〉之von Hornbostel, Erich M. and Sachs,“Classification of Musical Instruments”
理论与方法 民族音乐学
2008/5/28
《民族音乐学理论与方法》（一）
时间：2007-11-21；地点：E研究院512室
授课教师：曹本冶教授
主讲报告人：石磊
von Hornbostel, Erich M. and Sachs, Curt. 1992 [1914]. “Classification of Musical Instruments,” in Ethnomusicology: An Introduction. N...
Commentary on David Huron’s “On the Role of Embellishment Tones in the Perceptual Segregation of Concurrent Musical Parts”
Bach chorales embellishment tones perceptual segregation
2010/9/26
In his article ‘On the Role of Embellishment Tones in the Perceptual
Segregation of Concurrent Musical Parts’, David Huron (2007) takes four metrics
known in the psychological literature to affect p...
On the Role of Embellishment Tones in the Perceptual Segregation of Concurrent Musical Parts
voice-leading auditory streams figuration tones non-chordal tones
2010/9/26
An analysis of 50 chorale harmonizations by J.S. Bach shows that the
use of embellishment tones is consistent with several principles known to contribute to
the perceptual segregation of auditory st...
Language Plots in Musical Spaces: A Response to Adams Bodomo and Manolete Mora
West Africa song dance story oral culture Dagaare Dagaaba bawaa
2010/9/26
The commentary begins with by briefly reviewing UNESCO’s activities in
the documentation, preservation, and dissemination of cultural traditions worldwide, and
particularly in sub-Saharan Africa. Su...
Commentary on "The Processing of Pitch and Scale: An ERP Study of Musicians Trained Outside of the Western Musical System" by Bischoff Renninger, Wilson, and Donchin
pitch scale ERP enculturation
2010/9/26
Electrophysiological measures of expectancy violation processing by the
brain, such as the P300 component of the event-related potential, have provided insight
into the way in which humans with vary...
The Processing of Pitch and Scale: An ERP Study of Musicians Trained Outside the Western Musical System
music scale ERP event-related potential tuning interval enculturation
2010/9/26
The current study extends the efforts of Bischoff Renninger, Granot and
Donchin (2003) to non-Western musical systems and focuses specifically on Event-
Related Potential (ERP) responses to scalar d...
Commentary on “The Influence of Pitch Height on the Perception of Submissiveness and Threat in Musical Passages” by David Huron, Daryl Kinney, and Kristin Precoda
expressive size symbolism motivation-structural rules pitch loudness
2010/9/26
Increasingly, the Arts and Humanities and Science fields are finding
common ground, as illustrated in Huron et al.’s fine paper. My commentary discusses
the origin of the idea that pitch and motivat...
Influence of Pitch Height on the Perception of Submissiveness and Threat in Musical Passages
music prosody pitch height emotion threat aggression timidity
2010/9/26
Bolinger, Ohala, Morton and others have established that vocal pitch
height is perceived to be associated with social signals of dominance and submissiveness:
higher vocal pitch is associated with s...
An Empirical Method for Comparing Pitch Patterns in Spoken and Musical Melodies: A Comment on J.G.S. Pearl's “Eavesdropping with a Master: Leos Janácek and the Music of Speech.”
speech intonation musical melody perception melodic contour computational models
2010/9/26
Music and speech both feature structured melodic patterns, yet these
patterns are rarely compared using empirical methods. One reason for this has been a
lack of tools which allow quantitative compa...
A musical gesture of growing obstinacy appears in many phrases whose last segment is repeated, usually two more times, creating a climax, e.g., by means of higher peak, dynamic stress and syncopation....
Erkki Huovinen’s “Varieties of Musicological Empiricism”
provides a valuable analysis of some of the theoretical predicaments raised by
pursuing an empirical musicology. But in this commentary, I ar...
Feeling the Style: Vocal Gesture and Musical Expression in Billie Holiday, Bessie Smith, and Louis Armstrong
Vocal Gesture Musical Expression
2010/3/25
As Billie Holiday described her unique brand of vocal expression, she claimed that she wanted the "style" of Louis Armstrong and the "feeling" of Bessie Smith. These aesthetic and expressive goals can...
Review of Alexander Rehding, Hugo Riemann and the Birth of Modern Musical Thought
Alexander Rehding Hugo Riemann Modern Musical Thought
2010/3/25
[1] The transformation of Hugo Riemann from obsolete pedant to influential thinker has been one of the most remarkable developments in North American music theory within the past twenty years. Those w...
A Review of the 2003 American Mathematical Society Spring Southeastern Section Conference,Special Session on Mathematical Techniques in Musical Analysis
ear training pedagogy twentieth-century music post-tonal music improvisation
2010/3/29
This article consists of a review of the nineteen presentations in the 2003 American Mathematical Society Spring Southeastern Section Conference, Special Session on Mathematical Techniques in Musical ...