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Robin Curtis (2006) Conscientious Viscerality:The Autobiographical Stance in German Film and Video
Robin Curtis Conscientious Viscerality Autobiographical Stance German Film and Video
2009/11/25
As Robin Curtis points out the 19th century neologism autobiography is made up of three stem
words derived from the Greek terms autos, bios, and graphe, respectively, the self, the life,
and, with r...
This book enters a realm of highly blurred borders and amicable contention. For one, we
have the array of rubrics for thinking and writing about cinema – all with fuzzy edges: Film
as Philosophy, Fi...
Affirmation?New York Film Festival Report 2007 (Part Two)
Affirmation New York Film Festival Report 2007
2009/11/25
The most “cheer” spread by this year’s offerings, if we stretch the point, was to be found in a number of uncertain nods to the persistence and endurance of the human capacity for–being
human. Consid...
Anxiety:New York Film Festival Report 2007 (Part One)
Anxiety New York Film Festival Report 2007
2009/11/25
In this year’s offerings, anxiety runs high and affirmation is a wan beam of sunlight in a stormy landscape. At times, indeed, affirmation is more chilling than reassuring. In a range running from gre...
Samuel Beckett wrote just once for the cinema. Film was written in 1963 and first shown publicly in 1965, forty years ago (Beckett 1986, 321–334). Film was shot in New York in 1964, with the opening e...
Beyond Ontology:Levinas and the Ethical Frame in Film
Beyond Ontology Levinas Ethical Frame in Film
2009/11/25
From its beginning, film set forth a new scene for ethical and moral engagement. For more than a century, film’s frame and image have opened fresh space for enacting ethical and moral conflicts and di...
When considering possible theoretical perspectives for an ethical conceptualisation of erotic or sexually explicit display in cinema, such as recent controversial work by French female directors Cathe...
The cinema has long reigned as the kinetic medium of the twentieth century. Early in its development it secured its privilege over the more traditional arts through its unprecedented control and manip...
Marijke De Valck (2007) Film Festivals:From European Geopolitics to Global Cinephilia Amsterdam:Amsterdam University Press
Film Festivals European Geopolitics Global Cinephilia Amsterdam Amsterdam University Press
2009/11/24
Film Festivals are a vital element of the film business and are central to the international
debate on film production and distribution. Too often when talking about films we omit
the place where ev...
Towards a Theory of Film Worlds
Theory Film Worlds
2009/11/24
Film critics and theorists often refer to the ‘worlds’ that films create, present, or embody,
e.g. the world of Eraserhead (David Lynch, 1977) or the world in Fanny and Alexander
(Ingmar Bergman, 19...
IN THE NAME OF THE PUBLIC：AN ETHNOGRAPHIC APPROACH TO THE TASTES AND HABITS OF FILM AUDIENCES
Film audience research response studies ethnography cinema-going habits cinema tastes cinema genres
2009/10/19
Until very recently audience research was a neglected area in film studies. Critics tended to take for granted that they could read the minds of the implied spectator(s). However, cultural studies pav...
Nation, Liberalisation And Film Songs：Technology And Hybridisation In Contemporary Hindi Film Music
Film Songs Hybridisation Technology Contemporary Hindi Film Music
2009/10/16
This paper seeks to study some exemplary ways in which sophisticated audio processing and packaging technologies have been incorporated into the aesthetic of Hindi film songs in the post-90s period, e...
An industry value chain or system could be summarized as a connected series of
activities, that combine to create and deliver a product (or value) to customers. These
activities could include rese...
La Dolce Morte：Vernacular Cinema and the Italian Giallo Film
Vernacular Cinema Italian Giallo Film
2008/12/8
Mikel J. Koven's La Dolce Morte: Vernacular Cinema and the Italian Giallo Film is the first in-depth study of a cycle hugely popular amongst cult and horror fans but largely neglected by the academy. ...
The success of the film Gladiator (Ridley Scott, 2000) resulted in a number of epic films and projects such as Troy, Alexander and the HBO/BBC mini-series Rome (2005). At the same time, there has been...