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Film Hieroglyphs: Ruptures in Classical Cinema
Film Hieroglyphs Ruptures in Classical Cinema
2009/12/7
Conley draws upon the literary theories articulated by the deconstructionists (Derrida, Foucault, Chomsky), psychoanalytic tradition (Freud), and the philosophical approach to cinema as articulated by...
Adapting Lyricism: Clive Holden's Trains of Winnipeg and the Lyric in Film
Adapting Lyricism Clive Holden
2009/12/4
The adaptation of poetry to film is rare, and discussions or analyses of such adaptations are even rarer. Clive Holden's film cycle Trains of Winnipeg: 14 Film Poems (2004) offers not only fourteen e...
'Performing Hitchcock': Robert Donat, Film Acting and The 39 Steps (1935)
Performing Hitchcock Robert Donat
2009/12/4
This article offers a speculative exploration of performance in a Hitchcock film by looking in detail at Robert Donat's characterisation of Richard Hannay in The 39 Steps (1935). It has been argued th...
Movies and Meaning:Studying Audience,Fiction Film and Existential Matters
Film audience meaning-making existential matters religion social cognition
2009/11/27
In what ways and under what circumstances can a movie be a resource for individuals and their thoughts about existential matters? This central research question has been investigated using a both quan...
Kill Bill Volume 2:A Film Worthy of Meaning Making?
Meaning Making Kill Bill self reflection church audience cinema
2009/11/27
In 2004 forty seven people in their twenties and thirties from the UK and Ireland, agreed to participate in research regarding their film watching. A key aspect to the research was: what evidence exis...
Audiences Across the Divide:Game to Film Adaptation and the Case of Resident Evil
video games film adaptation discourse Resident Evil ergodic pleasures
2009/11/27
This paper explores the responses of players of the video game series Resident Evil to its adaptation in film. Initial research of gamers on the internet movie database’s (Imdb) Resident Evil message ...
'I wanted to be Rocky,but I also wanted to be his wife!':Heterosexuality and the (Re)construction of Gender in Female Film Audiences’ Consumption of Sylvester Stallone
Gender Heterosexuality Masculinity Femininity Film Audiences Female Audiences Hollywood
2009/11/27
This paper examines the degree to which the performance of gender is sustained and/or problematised through the triangular relationship between popular cinema, film audiences, and the social/cultural ...
Loving and Hating Straw Dogs:The Meanings of Audience Responses to a Controversial Film
Audience research Straw Dogs research methods controversial films
2009/11/27
This essay evaluates a recent BBFC-sponsored study of responses to the film Straw Dogs (among others), and compares its methods and findings with a research project conducted in Aberystwyth. Through ...
Early Connections Between Film and Emerging Media as Evidenced in the Animated Worlds of Adam Beckett
Film Emerging Media the Animated Worlds Adam Beckett
2009/11/27
Making a “film” today rarely involves a journey to the lab as images are more often recorded digitally and not on celluloid. Even video’s electromagnetic record is transformed to bits and bytes. There...
Half-breed Dog, Half-breed Film: Balto as Animelodrama
Half-breed Dog Half-breed Film Balto as Animelodrama
2009/11/27
Linda Willams (1998) defines melodrama as “a peculiarly democratic and American form that seeks dramatic revelation of moral and emotional truths through a dialectic of pathos and action” (p. 42). Thi...
Just Look At Me Now:Problems of Viewing in Film Noir Edward Dimendberg (2004) Film Noir and the Spaces of Modernity
Problems of Viewing Film Noir Edward Dimendberg Spaces of Modernity
2009/11/25
Edward Dimendberg’s Film Noir and the Spaces of Modernity sets itself some
high goals. Armed with an impressive knowledge of philosophy, urban
geography, architecture and planning, social history, c...
Edward Dimendberg (2004) Film Noir and the Spaces of Modernity
Edward Dimendberg Film Noir Spaces of Modernity
2009/11/25
There is possibly no genre that has recently captured the critical eye of both academic
scholars and cinephiles more than film noir. While difficult to define, film noir has been an
especially rich ...
Mapping Film Studies
Film Studies Mapping
2009/11/25
The title of Chateau’s book sounds more essentialist than it is actually meant to be. Most readers might expect systematic research into at least one of two questions: 1. what is philosophical in film...
Pam Cook’s Screening the Past is essentially a collection of disparate articles that reflect
aspects of her research interests from 1982 to the present day. However, the author has
collated her work...
Michael Temple (2006) Jean Vigo (French Film Directors) Manchester University Press:Manchester
Michael Temple Jean Vigo Manchester University Press
2009/11/25
Michael Temple’s Jean Vigo provides a well-documented reference to the life and work of the
young French director who died in the prime of his talent. The book starts with a short biography which ena...