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Transformations within the Gap：Liminality and Principles of Vedic Language Theory in Performance（图）
Liminality Principles Vedic Language Theory Performance
2009/7/16
The word "liminal" is used to refer to a transformative place, space, and sense of identity within cultural and ritual processes; it denotes a gap or threshold realm. Understood as a gap, the liminal ...
Liminal Acts - A Critical Overview of Contemporary Performance and Theory
Liminal Acts Theory Contemporary Performance
2009/7/16
All liminal works confront, offend or unsettle (Broadhurst, 1999: 168)
Liminal Acts by Susan Broadhurst provides an overview of aesthetic and critical theory in order to illuminate certain contemp...
(Syn)aesthetics and Disturbance - A Preliminary Overview
(Syn)aesthetics contemporary performance Disturbance
2009/7/16
In this paper I will argue that the '(syn)aesthetic style', is a contemporary performance practice and mode of appreciation which has emerged and developed in recent years. I have appropriated and re-...
I remember everything all too well. I am speaking of departure, severance. As we were wedged together at the knees so frequently so hard. There was little dividing us, so, severance. This is departure...
Interaction, Reaction and Performance：The human body tracking project
Interaction Reaction Performance
2009/7/16
As a result of new technological advancements in performance practice, I am arguing that new liminal spaces exist where there is a potential for a reconfiguration of creativity and experimentatio...
“Fluid Architectures and Sample Spaces：Reflections on a Media/Architecture Performance”
performance event Sample Spaces cosine
2009/7/15
cosine is an interdisciplinary multimedia performance event that was developed at the Temple New Media Performance Laboratory, in collaboration with New York-based production company Harakti Multimedi...
Performing the Trojan Horse：Laurie Anderson’s strategies of resistance and the “postmedia era”
postmedia era Performing Trojan Horse
2009/7/15
Laurie Anderson’s uses of technology in performance art suggest a possibility of smart subversions in a culture based on technology and mediatic systems. Anderson negotiates with such a cultural confi...
Corporeal Virtuality：The Impossibility of a Fleshless Ontology
Corporeal Virtuality Fleshless Ontology
2009/7/15
While distinct terms, body and technology will always necessitate their interdependent consideration as a relationship. Likewise it becomes increasingly difficult to talk about bodies and technologies...
In this paper I shall argue for the perception of multiple temporalities in musical experience, and that the evaluation and study of these temporalities be termed ‘tempomorphic’, derived from tempo (s...
Alice Croft, or：Transforming Performance in Internet Culture
Alice Croft Internet Culture Transforming Performance
2009/7/15
When, some years ago, a new computer game hit the streets, numerous hi-tech-augurs declared the death of cinema. Similarly, several decades ago, with the advent of film, the end of theatre and live pe...
The ‘Ubu Reconstructed’ project：Reconstructing text and culture
Ubu Reconstructed Ubu Roi multidisciplinary performance project
2009/7/15
Ubu Reconstructed was a multidisciplinary performance project based on Alfred Jarry’s 1896 seminal avant-garde play Ubu Roi. The text was a stimulus for devising of a new performance narrative based o...
Digital Dance Theatre：The Marriage of Computers, Choreography and Techno/Human Reactivity（图）
Digital Dance Theatre Human Reactivity Choreography
2009/7/15
This paper uncovers the ways in which Troika Ranch artists, by integrating emerging digital technologies as integral components of live performance, are reshaping dance theatre practices in the twenty...
Internet Performances as Site-Specific Art
Internet Performances Site-Specific Art physical co-presence
2009/7/15
Since the occidental concept of ‘theatre’ has come to existence, one parameter in the manifold histories of theatre remained untouched. Even the most radical experiments did not challenge it. It was t...
Practical creativity in process and live performance：Visual, Auditory and Kinesthetic elements of creative environments
Practical creativity Kinesthetic elements live performance creative environments
2009/7/15
What does it mean to be ‘creative’? There is a difference between what I define as ‘Practical creativity’ and ‘creativity’ per se. When working on creating an original and experimental piece of live p...
We aim at discussing here the possibilities of performance art in telepresence – an artistic activity that has been developed by the Research Group Corpos Informáticos since 1998. The video-conference...