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Gertrude and Elizabeth:Letters, Lives and Fictions
Australian Literature Lives Letters Fictions
2008/10/24
This paper was first given as the Dorothy Green lecture at the Conference of the
Association for the Study of Australian Literature at James Cook University, Cairns,
in July 2002. That ASAL has chos...
Christina Stead’s novels have been translated into a number of languages, mainly
European ones. I know of twelve such translations, five into Italian, three into
French, two into German, and one int...
There has been no scholarly attention directed to Christina Stead’s representation
in her novels of China and the Chinese.1 Indeed, the poet and scholar Ouyang
Yu, translator of The Man Who Loved Ch...
Christina Stead’s Workshop in the Novel: How to Write a “Novel of Strife”
Australian Literature Novel of Strife Workshop
2008/10/22
Christina Stead was a Marxist who, at times, publicly endorsed Stalinist views on
art. Yet her novels do not conform to the rigid paradigms of socialist realism, and
they often criticize Marxist cha...
The Totally Incredible Obscenity of Letty Fox
Australian Literature Letty Fox Totally Incredible Obscenity
2008/10/22
The passage on p. 279, to which the Board has drawn special
attention, appears not only indecent, but totally incredible. (C. A.
Quin, Acting Senior Clerk, Department of Trade and Customs, file
on ...
Whatever Happened to Coppelius? Antecedents and Design in Christina Stead’s The Salzburg Tales
Australian Literature Antecedents Design The Salzburg Tales
2008/10/22
No work of Christina Stead’s has divided commentary more than The Salzburg
Tales. Contemporary reviews were overwhelmingly positive, with the Times Literary
Supplement saluting it as evidence of a “...
Christina Stead’s Last Book: The Novel and the Best-Seller
Australian Literature Last Book Novel the Best-Seller
2008/10/22
It is an intriguing feature of Christina Stead’s novels that her protagonists often
produce literary works that are consonant with their character and talents. This is
especially notable with her wo...
Crossing the Rubicon: Abjection and Revolution in Christina Stead’s I’m Dying Laughing
Australian Literature Dying Laughing Christina Stead's
2008/10/22
When Stalin died in 1953, Christina Stead wrote to her brother Gilbert about
the great event, “so strange and so close to millions!” She remarked that, though
to some Stalin was an “anti-Christ,” “t...
Christina Stead and the Synecdochic Scam: The Little Hotel
Australian Literature Christina Stead Synecdochic Scam Little Hotel
2008/10/22
In this essay celebrating Christina Stead’s Centenary, I first review American Stead
scholarship, as I’ve personally participated in it, before performing a close reading
of The Little Hotel.1 My ar...
Christina Stead would have turned 100 on 17 July 2002. It is idle—but
irresistible—to speculate what kind of occasion Christina might have preferred to
celebrate her centenary. Though her husband, ...
'Art is the Windowpane': Novels of Australian Women and Modernism in Inter-war Europe
Art Inter-war Europe Modernism Australian Literature Australian Women
2008/10/20
During the 1990s there was a growing interest in the role played by women in the
development of Australian modernist art. Books by Caroline Ambrus, Australian
Women Artists: First Fleet to 1945 (1...
Words of Water: Reading Otherness in Tourmaline and Oyster
Australian Literature Reading Otherness Words of Water
2008/10/20
In the long run, foreigners are all much the same. They are not us.
Janette Turner Hospital, Oyster
“White” Australian identity has to a large extent been determined historically by
what “we” are...
Windshuttling The Right: Some Australian Literary and Historical Adaptations for the Stage
Australian Literature Historical Adaptations Windshuttling The Right
2008/10/20
For the purposes of this discussion I am going to take liberties with the idea of
“adaptation” and extend it beyond the primary meaning of a literary work rewritten
for presentation in a different m...
Multiculturalism, Globalisation and Worldliness: Origin and Destination of the Text
Australian Literature Globalisation Multiculturalism Worldliness
2008/10/20
“Everywhere is so made up of everywhere else.” (Iyer 11)
“The only thing worth globalizing is dissent.” (Arundhati Roy, qtd
in Barsamian)
I leave my shoes at the shoemaker’s for repair. As I give m...
Label and Literature: Borders and Spaces in Postcolonial Migrant Literature in Australia
Australian Literature Label and Literature Postcolonial Migrant Litera Borders and Spaces
2008/10/20
In the novel The Ganges and Its Tributaries by Christopher Cyrill the main character
Christopher recalls a model of India. His father had carefully constructed the
model shortly after his migratio...