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Sonata-Formal Functions and Transformational Processes in the First Movement of Rochberg’s String Quartet No. 6
transformational theory Rochberg form sonata transposition K-nets inversional balance animation
2010/3/24
To the extent that it represents the actual temporal event-series of a composition, transformational theory can reveal some interesting correlations between the formal functions of sections and the tr...
Skalkottas’s First Suite for Piano, First Movement (1936): From First Ideas to Realization
Skalkottas First Suite Piano First Movement First Ideas
2008/10/24
Even if, in retrospect, one finds too much of a naive pride in Schoenberg's belief that he had given a new supremacy to the German-Austrian tradition for a hundred years to come, it is more and more o...
Cognitive Dissonance and the Performer’s Inner Conflict: A New Perspective on the First Movement of Beethoven’s Op. 101
cognitive dissonance embodiment image schemata performance analysis Beethoven Op. 101 Robert Hatten
2010/3/25
Much of Beethoven’s music—especially that of the late period—demands that the performer follow interpretive markings that seem to be musically counterintuitive. Conflict between the competing desires ...