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Usingasampleof24moviesIinvestigatenarrativeshifts inlocation,characters,andtimeframethatdoanddonot align with viewer segmentations of events (scenes and subscenes) in popular movies. Taken independent...
Popular movies present chunk-like events (scenes and subscenes) that promote episodic, serial updating of viewers’ representations of the ongoing narrative. Event-indexing theory would suggest that th...
We  investigated  historical  trends  of  mean  shot  durations  in  about  9400  English language  and  1550  non--‐English--‐lan...
I investigated the number and locations of characters as they appear on the screen in 48 popular movies released from 1935 to 2010. Sampling an average of one of every 500 frames (~20 s of film)I amas...
Richard A. Gilmore’s Doing Philosophy at the Movies is based upon a series of articles that have appeared in the journal Film and Philosophy over the last few years1. The essays have been updated an...
Warren Buckland opens his perceptive monograph on Steven Spielberg’s blockbusters by explaining what it is not. Neither biography, production history, nor even an interpretative analysis of Spielber...
Christopher Falzon describes the aim of his book, now in its second edition, as being to introduce some of the ideas and arguments that have preoccupied philosophers over the years, drawing on films a...
One February night in San Francisco, a man named Leonard Shelby walks into his bathroom to find his wife being sexually assaulted. In the ensuing confrontation, he kills the assailant,but sustains a ...

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