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Review of Edward D. Latham, Tonality as Drama: Closure and Interruption in Four Twentieth-Century American Operas
Edward D. Latham Tonality Drama
2010/3/24
[1] Edward D. Latham’s Tonality as Drama presents an interdisciplinary methodology for opera analysis that fuses the dramatic theories of Konstantin Stanislavsky with the musical theories of Heinrich ...
Binary Oppositions in Arnold Whittall's Exploring Twentieth-Century Music: Tradition and Innovation (Cambridge University Press, 2003) and Their Implications for Analysis
Whittall analysis criticism aesthetics Modernism Schoenberg Moses
2010/3/29
Arnold Whittall's Exploring Twentieth-Century Music (Cambridge, 2003) posits a set of binary oppositions (Tradition-Innovation, Apollo-Dionysus) as foundational for twentieth-century compositional tho...
A Review of J. Kent Williams's Theories and Analyses of Twentieth-Century Music (Fort Worth: Harcourt Brace and Company, 1997)
Williams pedagogy atonality set theory neotonality aleatory minimalism new tonality
2010/4/21
Lest we arrive at the millennium uninformed, the time to reconcile with the twentieth century's milieu has arrived with a vengeance. In the spring of 1997, I employed J. Kent Williams's Theories and A...
Cognitive Dissonance: Should Twentieth-century Women Composers be Grouped with Foucault's Mad Criminals?
twentieth-century Lester Straus Kostka Morgan women Foucault Margolis
2010/4/21
This article considers recent books on twentieth-century music by Lester (1989), Kostka (1990), Straus (1990), and Morgan (1991) and their exclusion of women composers' scores. Three hypotheses for th...