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[1] Edward D. Latham’s Tonality as Drama presents an interdisciplinary methodology for opera analysis that fuses the dramatic theories of Konstantin Stanislavsky with the musical theories of Heinrich ...
Arnold Whittall's Exploring Twentieth-Century Music (Cambridge, 2003) posits a set of binary oppositions (Tradition-Innovation, Apollo-Dionysus) as foundational for twentieth-century compositional tho...
Lest we arrive at the millennium uninformed, the time to reconcile with the twentieth century's milieu has arrived with a vengeance. In the spring of 1997, I employed J. Kent Williams's Theories and A...
This article considers recent books on twentieth-century music by Lester (1989), Kostka (1990), Straus (1990), and Morgan (1991) and their exclusion of women composers' scores. Three hypotheses for th...

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