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but meagre results. But such instances are the exception, not the rule. The lyric artist who is gifted merely with a beautiful voice, over which he has acquired but imperfect control, is at ...
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ry blasphemes the sacred young!
Mute outcry, most, of those
Small suffering hands defrauded of their rose;
Faces the daylight shuns;
Ruinous faces of the little ones,--
Pale witness, un...
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These cavities reinforce the primary vibrations set up by the cords and serve to increase their intensity as they are projected from the larynx. The larynx is the vibrating organ of the voic...
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no evidence of calculation, of carefully directed effort, of attention to the workings of the voice, in the tones of a perfect singer. Yet if the accepted idea of Voice Culture is correct, t...
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atever state or condition he may be at the time, can with propriety be ready to sing whatever may be given out."
John Spalding further testifies as to the effect of formal singing in wors...
One of the most encouraging signs of the growth of musical taste and understanding at the present time as regards the singing of children, is the almost unanimous acquiescence of choirmasters, supervi...
《Caruso and Tetrazzini on the Art of Singing》（图）
Caruso and Tetrazzini on the Art of Singing Enrico Caruso Luisa Tetrazzini
2009/7/3
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of the air should be felt more against the chest. I know of a great many singers who, when they come to very difficult passages, put their hands on their chests, focusing their attention on ...
About Current Issue Past Issues Editorial Board Submissions Contact Singing a New Song：Stephen Foster and the New American Minstrelsy
New Song New American Minstrelsy Stephen Foster
2008/11/20
Stephen Foster’s music became the backbone of the American minstrel show in the 1840s, a period of critical change for blackface minstrelsy as it grew from its countercultural class-conscious roots in...
Characterisation of Voice Quality in Western Lyrical Singing:from Teachers’ Judgements to Acoustic Descriptions
Voice quality perception cognitive representation semantics timbre singing verbal description acoustic description
2008/10/30
This pilot study aims at defining the
notion of voice quality in Western lyrical
singing and seeks significant and objective
criteria to characterise it, from both cognitive
and acoustic points of...
Effect of Voice Change on Singing Pitch Accuracy in Young Male Singers
Boys’ changing voice pitch-break voice-break singing-pitch accuracy
2008/10/30
Background in music performance and pedagogy. During the voice-change process, singing
for adolescent boys may become more difficult and unpredictable. Many boys cease singing
when they reach pubert...
The Tertiary Singing Audition:Perceptual and Acoustic Differences between Successful and Unsuccessful Candidates
Singing audition assessment ranking terminology vocal quality vocal performance
2008/10/30
Background in music practice. The audition process is used extensively in the arts to identify
talent and to determine entry into music conservatoria. Judges must make rapid decisions
regarding the ...
Towards a common terminology to describe voice quality in Western lyrical singing:Contribution of a multidisciplinary research group
Voice quality verbal description listening training listening sheet
2008/10/30
dedicated to voice quality description. Among the many terms, some are used with consistent
meaning by virtually all voice specialists, whereas others, which are more metaphorical or
aesthetic, have...
The Reception of Overtone Singing by Uninformed Listeners
Overtone singing ethnomusicology pitch perception psychoacoustics reception cultural studies
2008/10/30
Background in acoustics and psychoacoustics. Overtone singing is a vocal technique by
which a single source produces two melodic pitches simultaneously. When an unprepared
listener hears a recording...
“Singing like the Gaida (Bagpipe)”:Investigating Relations between Singing and Instrumental Playing Techniques in Greek Thrace
Gaida, bagpipe, folk singing, acoustical analysis, glottal stop, Thrace, Balkans
2008/10/30
a special singing style has been observed, which is closely related to ‘open throat’ singing
techniques. This practice is often associated with low pitch sounds, produced by glottal stops,
and some ...
Chromaticisms or Performance Rules?Evidence from Traditional Singing
Chromaticisms performance rules traditional singing
2008/10/30
Background in ethnomusicology. Chromaticisms in folk tunes are quite frequently discussed
in ethnomusicological studies, especially in Eastern Europe. For instance, chromaticisms are
abundant in the...