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Norton Dudeque, Music Theory and Analysis in the Writings of Arnold Schoenberg (1874–1951) (2005)
Norton Dudeque Arnold Schoenberg Music Theory
2009/10/16
Norton Dudeque, Music Theory and Analysis in the Writings of Arnold Schoenberg (1874–1951) (2005)。
Review of Michael Cherlin, Schoenberg’s Musical Imagination
Michael Cherlin Schoenberg’s Musical Imagination
2010/3/24
[1] Michael Cherlin’s new book fulfills two important functions admirably: it pulls together thirty years of research and analysis regarding Schoenberg’s music and writings from all periods of the com...
Review of Ethan Haimo, Schoenberg’s Transformation of Musical Language
Schoenberg pitch-class set theory atonal music
2010/3/24
[1] Ethan Haimo’s recent study of Schoenberg’s music from the years 1899–1909 doesn’t present a tidy survey of the works from that era, but instead presents the reader with a critical thesis concernin...
The Test Pressings of Schoenberg Conducting Pierrot lunaire: Sprechstimme Reconsidered
Sprechstimme Schoenberg performance notation recording test pressings Pierrot lunaire analysis singing score recitation pitch contour Stiedry-Wagner Eine blasse Wä scherin interaction reproduction real-time deviation
2010/3/25
Newly discovered recordings of Schoenberg conducting Pierrot lunaire open a window into the workshop of Arnold Schoenberg (the conductor) and Erika Stiedry-Wagner (who performed the Sprechstimme). The...
The Harmonic Function of the Altered Octave in Early Atonal Music of Schoenberg and Webern: Demonstrations Using Auditory Streaming
Schoenberg Webern Saussure Strindberg auditory scene analysis auditory streaming atonality
2010/3/29
I present synthesized sound examples of several atonal expressionist excerpts to illustrate the effect of the altered octave as a sonority. Psychology, linguistics, and literature about 1900 suggest t...
Schoenberg's Turn to an “Other” World
aesthetics atonality Goethe Heidegger musical worlding mysticism Schoenberg Schopenhauer Steiner Swedenborg
2010/4/22
The present paper constitutes an extension of an earlier
article in this journal.(1) Building on the notion of musical
worlding introduced in that essay, I explore Schoenberg's turn to
atonality i...
Schoenberg at the Movies: Dodecaphony and Film（图）
twelve-tone method Opus 34 commutation test Frankenstein cinema
2010/4/22
Composers used the twelve-tone method in film scores
from the 1950's and 60's. This essay, however, focuses on a much
earlier work: Schoenberg's *Begleitungsmusik zu einer
Lichtspielszene,* Op. ...