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Cognitive Dissonance and the Performer’s Inner Conflict: A New Perspective on the First Movement of Beethoven’s Op. 101
cognitive dissonance embodiment image schemata performance analysis Beethoven Op. 101 Robert Hatten
2010/3/25
Much of Beethoven’s music—especially that of the late period—demands that the performer follow interpretive markings that seem to be musically counterintuitive. Conflict between the competing desires ...
Cognitive Dissonance: Should Twentieth-century Women Composers be Grouped with Foucault's Mad Criminals?
twentieth-century Lester Straus Kostka Morgan women Foucault Margolis
2010/4/21
This article considers recent books on twentieth-century music by Lester (1989), Kostka (1990), Straus (1990), and Morgan (1991) and their exclusion of women composers' scores. Three hypotheses for th...