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Th Role of Organicism in the Original and Revised Versions of Brahms's Piano Trio in B Major, Op. 8, Mvt. I: A Comparison by Means of Grundgestalt Analysis
Organism in the Original Revised Versions Brahms Piano Trio B Major, Op. 8, Mvt. I Means of Grundgestalt Analysis
2014/10/20
Johannes Brahms’s revision of the B Major Piano Trio, Op. 8, hereafter referred to as the Piano Trio, presents a unique analytical opportunity. By allowing two versions to coexist, Brahms not only gav...
A Hierarchical Approach to the Analysis of Intermediary Structures Within the Modifid Contour Reduction Algorithm
A Hierarchical Approach Intermediary Structures the Modified Contour Reduction Algorithm
2014/10/20
Robert Morris’s (1993) Contour-Reduction Algorithm—later modified by Rob Schultz (2008) and hereafter referred to as the Modified Contour Reduction Algorithm (MCRA)—recursively prunes a contour down t...
A Circular Plot for Rhythm Visualization and Analysis
Rhythm expressive timing visualization beat subdivision polar coordinates
2010/3/25
Seeing how music is organized can help us understand how it is heard. Musical rhythm usually operates within a recursive temporal framework such as a (periodic) beat or a (metered) measure. Therefore ...
Charting the Score in a Multimedia Context: the Case of Paradigmatic Analysis
paradigmatic analysis computer-aided analysis history of music theory musical semiotics multimedia
2010/3/24
Interested in what a contemporary practice of paradigmatic analysis might look like, the authors describe their research project aimed at studying past practices as well as conceiving of future possib...
Norton Dudeque, Music Theory and Analysis in the Writings of Arnold Schoenberg (1874–1951) (2005)
Norton Dudeque Arnold Schoenberg Music Theory
2009/10/16
Norton Dudeque, Music Theory and Analysis in the Writings of Arnold Schoenberg (1874–1951) (2005)。
Analysis, Philosophy and the Challenge of Critical Theory：Michael Spitzer’s Music as Philosophy：Adorno and Beethoven’s Late Style
Michael Spitzer Philosophy Music
2009/10/16
Michael Spitzer’s Music as Philosophy: Adorno and Beethoven’s Late Style (Indiana University Press, 2006, ISBN 0-253-34724-6) pursues multiple lines of scholarly enquiry. As a musicological study, the...
“Plays of Opposing Motion”: Contra-Structural Melodic Impulses in Voice-leading Analysis
Schenker Kurth energetics melodic analysis
2010/3/24
Rameau’s privileging of harmony over melody may be set against the pendulum swing of Kurth’s pure melodic energy. Although Schenker’s theory clearly identifies linear motion as governed by harmony, Sc...
Metaphors in Motion: Agents and Representation in Transformational Analysis
Transformational theory Lewin image schema metaphor Stockhausen Klavierstück III animation
2010/3/24
Recent animated transformational analyses, while innovative, have yet to consider the underlying conceptualizations demonstrated by the language of transformational theory itself and the implications ...
A Decade of Music Therapy in Korea An Analysis of Korean Graduate Research from 1997 to 2005
Music Therapy Korea Korean Graduate Research
2008/11/6
The purpose of this study was to investigate the trends of research in music therapy through the analysis of studies from 1997 to 2005, and to make some directions for the future development of music ...
Style-Independent Computer-Assisted Exploratory Analysis of Large Music Collections
Music information retrieval machine learning musicology
2008/10/30
The first goal of this paper is to
introduce musicologists and music theorists to
the benefits offered by state-of-the-art pattern
recognition techniques. The second goal is to
provide them with a...
Playing a New Game of Analysis: John Zorn’s Carny, Autonomy and Postmodernism
Carny John Zorn Postmodernism Autonomy
2008/10/24
Example 1 shows the opening of the American composer John Zorn's Carny for solo piano, written in 1989 for the American pianist Stephen Drury, and revised on 'Tue, Feb 6, 1996', as the bottom left-han...
Commentary on “Comparative Analysis of Music Recordings from Western and Non-Western traditions by Automatic Tonal Feature Extraction”
comparative analysis western music non-western music tonal
2010/9/26
The article by Gómez and Herrera presents an original methodology,
audaciously situated on a challenging junction between computer science, cognitive
science and ethnomusicology. We hope expert ethn...
Comparative Analysis of Music Recordings from Western and Non-Western traditions by Automatic Tonal Feature Extraction
audio description tonality machine learning comparative analysis
2010/9/26
The automatic analysis of large musical corpora by means of
computational models overcomes some limitations of manual analysis, and the
unavailability of scores for most existing music makes necessa...
Rhetoric and Justification in Analysis: A Commentary on Eric Wen’s Commentary
Brahms Schenkerian analysis
2010/3/24
This commentary discusses the Schenkerian interpretation of the opening of Brahms’s Piano Quartet No. 3, earlier addressed by Samuel Ng and Eric Wen in this journal. It argues that the central questio...
A Tetrahelix Animates Bach: Revisualization of David Lewin’s Analysis of the Opening of the F Minor Fugue from WTC I
3-D geometry animation J.S. Bach David Lewin inversion voice-leading Cohn flips
2010/3/24
Music theory has long benefited from the use of visualizations to demonstrate analyses. This article presents one example of how music theorists might implement contemporary methods in graphic design ...