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“Re-narrating Disability” through Musical Performance(1)
narrative affirmational-model public pedagogy
2010/3/24
The combination of disability and music performance engages two principal dimensions: the reality of living and functioning as a musician with an impairment (lived experience), and the outside percept...
The Deleuze-ian/Guattarian Performance;：performancing at n-1 dimensions
music performance organs Cartesian idea
2009/7/15
This paper considers music performance in light of the possibly most radical move away from the Cartesian idea of the body as informed by the higher order rationality of the mind: this is a performanc...
General intelligence and modality-specific differences in performance: a response to Schellenberg (2008)
memory span musical training general aptitude music performance skilled musicians sequence learning
2010/9/26
Tierney et al. (2008) reported that musicians performed better on an
auditory sequence memory task when compared to non-musicians, but the two
groups did not differ in performance on a sequential vi...
Being Who You Aren’t：Doing What You Can’t——Community Music Therapy & the Paradoxes of Performance[1]
Community Music Therapy Paradoxes of Performance music therapy
2008/11/6
If Man is a sapient animal, a tool-making animal, a self-making animal, a symbol-using animal, he is no less a performing animal, Homo Performans [...] His performances are reflexive - in performing h...
African Music Creativity and Performance：The Science of the Sound
African Music Creativity Performance Science of the Sound
2008/11/6
What we believe we see or hear is often far from the truth of what we are seeing or hearing. What we know we feel is often merely a sign of what we do not know is happening to us. Without cognitive un...
Historically Informed Retuning of Polyphonic Vocal Performance
Tuning just intonation Benedetti Zarlino, Lassus vocal performance Melodyne
2008/10/30
Background in history of music theory. The use of just intonation has generated heated
debates ever since the first accounts of the articulation of pitch space in the scientific treatises
of Ancient...
Chromaticisms or Performance Rules?Evidence from Traditional Singing
Chromaticisms performance rules traditional singing
2008/10/30
Background in ethnomusicology. Chromaticisms in folk tunes are quite frequently discussed
in ethnomusicological studies, especially in Eastern Europe. For instance, chromaticisms are
abundant in the...
Reconstructing the Event: Spectres of terror in Chilean Performance
Cuban jazz Reconstructing Chilean Performance
2008/10/27
On March 31 1990, in the early days of the newly restored democracy in Chile, the Cuban cantautor (singer-songwriter) Silvio Rodríguez staged a concert in the Chilean capital’s National Stadium in fro...
Music Performance Fund (MPF)（图）
Music Performance 音乐表演 Fund 基金
2007/12/25
Music Performance Fund (MPF)is a non-profit, tax-exempt public service organization under section 501 (c) of the Internal Revenue Code. Headquartered in New York City, It is the world’s largest sponso...
The Centre for Early Music Performance and Research at University of Birmingham（CEMPR）
Music Performance 音乐表演 early music 早期音乐
2007/12/25
The Centre for Early Music Performance and Research at Birmingham was founded in 1998 by Dr Mary O’Neill and Professor John Whenham. Their aim was to create a centre with international links which, un...
The Department of Performance at McGill University programs at McGill are designed to train professional musicians of the highest standard. Each individual is encouraged to reach her or his potential ...
The Centre for Performance Science at Royal College of Music promotes collaborative research among musicians and scientists.its position within the vibrant musical environment of the Royal College of ...
The Performer's Voice: Performance and Analysis in Ravel's Concerto pour la main gauche
Ravel concerto cadenza performance performer analysis recording rhythm
2010/3/25
[1] Janet Schmalfeldt, in her ground-breaking article "On the Relation of Analysis to Performance" (1985, 2), challenges analysts to develop "a comprehensive critique of the value and the limitations ...
Prompting Performance: Text, Script, and Analysis in Bryn Harrison's être-temps
analysis performance notation
2010/3/25
Taking as its focus a piano solo work by the British composer Bryn Harrison, this article focuses on the manner in which complex rhythmic notation functions not (or not simply) to specify a sound obje...
Performance and Hypermetric Transformation: An Extension of the Lerdahl-Jackendoff Theory
meter hypermeter performance Lerdahl Jackendoff ambiguity Gestalt
2010/3/29
In the course of the introductory commentary on hypermeter in A Generative Theory of Tonal Music (GTTM), Lerdahl and Jackendoff discuss the opening measures of Mozart's Symphony No. 40 in G Minor, a h...