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Leith Davis, Music, Postcolonialism, and Gender. The Construction of Irish National Identity, 1724–1874 (2006)
Music Postcolonialism Gender Leith Davis Irish National Identity
2009/10/16
Leith Davis, Music, Postcolonialism, and Gender. The Construction of Irish National Identity, 1724–1874 (2006)。
Gender, Politics, and the Fighting Soldier’s Song in America during World War I
World War I America social role music
2008/11/21
The social role of music in violent conflicts is multifaceted. Both a vehicle for propaganda and an agent of comfort, music in wartime produces a complex web of pleasure, power, and identity. Here, I ...
Authenticity, Appropriation, Signification: Tori Amos on Gender, Race, and Violence in Covers of Billie Holiday and Eminem
popular music analysis voice gender race violence authenticity
2010/3/29
This paper studies alternative artist Tori Amos's cover versions of two original performances by Billie Holiday and Eminem. The narrative perspectives and musical structures of the original songs offe...