搜索结果: 1-15 共查到“艺术学 review”相关记录54条 . 查询时间(0.181 秒)
Romeo and Juliet (Theater Review)
Shakespeare plays Shakespeare William 1564-1616. Romeo and Juliet Dramatic criticism
2014/11/11
Presented by the Chicago Shakespeare Theater on Navy Pier, Chicago, Illinois. April 2-June 19, 2005. Directed by Mark Lamos.
《芭蕾舞评论》（Ballet Review）
芭蕾舞评论 Ballet Review
2014/1/13
Ballet Review was founded in 1965 by Arlene Croce, along with associates David Vaughan, who still writes for the magazine, and Robert Cornfield, who served as the magazine's second editor. In 1970 th...
Review of William E. Caplin, Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
analysis classical style Schoenberg Ratz Formenlehre
2010/3/29
Reviving the Formenlehre tradition as taught by Arnold Schoenberg and Erwin Ratz, Caplin attempts to accommodate the method to a specific but stylistically complex repertory: instrumental works of Hay...
"The Body that Beats": Review of Harald Krebs, Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann
Harald Krebs Robert Schumann metrical dissonance rhythm and meter
2010/3/29
[0.1] In Schumann's Kreisleriana, I actually hear no note, no theme, no contour, no grammar, no meaning, nothing which would permit me to reconstruct an intelligible structure of the work. No, what I ...
Adorno Damned by a Devotee?Review of Alastair Morgan,Adorno’s Concept of Life
Devotee Alastair Morgan Adorno’s Concept of Life
2009/11/25
Adorno defended Bach against his devotees (Adorno 1981: 133–46). If Adorno is to be defended
today, it is in large part against his successors. Many of his successors in Critical Theory reject a good...
A Review of Andrea Sabbadini (ed.) The Couch and the Silver Screen:Psychoanalytic Reflections on European Cinema (2003)
Andrea Sabbadini Silver Screen Psychoanalytic Reflections European Cinema
2009/11/25
The Couch and the Silver Screen collects the contributions of the 2001 symposium
organized by the Institute of Psychoanalysis in London on psychoanalysis and cinema, with
the participation of analys...
What’s My Karma?Voice of Dance Review Dance Brigade: Krissy Keefer’s “The Great Liberation Upon Hearing”
Dance Brigade Krissy Keefer The Great Liberation Upon Hearing
2009/12/14
You might not expect a project subtitled “A multi-media dance drama based on The Tibetan Book of the Dead” to generate laughter. But, then, you may not know about Krissy Keefer, the local dancer/chore...
Review of Aniruddh D. Patel, Music, Language, and the Brain
cognition music psychology linguistics
2010/3/24
[1] As the story goes, theorist Fred Lerdahl and Ray Jackendoff wrote most of their classic A Generative Theory of Tonal Music (Lerdahl and Jackendoff 1983) over Jackendoff’s kitchen table in Boston w...
Dance Review: Margaret Jenkins Dancy Company Premieres Other Suns（图）
Dance Review Margaret Jenkins Dancy Company Other Suns
2009/10/13
Back in 2006, the Margaret Jenkins Dance Company and members of India’s Tansuree Shankar Dance Company filled San Francisco’s Yerba Buena Center for the Arts with a maelstrom of directed movement that...
Book Review Performance and Technology：Practices of Virtual Embodiment and Interactivity（图）
Performance Technology Virtual Embodiment Interactivity
2009/7/15
Broadhurst, Susan & Machon, Josephine. Eds. Performance and Technology: Practices of Virtual Embodiment and Interactivity, Basingstoke: Palgrave Macmillan, 2006. ISBN 1403999074. 203 pp. £45.00
Portrait of A City A Review of Matt Roberts’Transfers
Portrait Matt Roberts Matt Roberts’Transfers
2009/7/15
"Transfers" by Matt Roberts, Assistant Professor of Art and Program Director of Digital Arts at Stetson University, an interactive car ride of abstract visualization and John Cage-like musical perform...
Review of Henry Martin, Counterpoint: A Species Approach Based on Schenker’s “Counterpoint”
counterpoint species Schenker
2010/3/24
[1] There is a growing number of textbook choices for instructors of sixteenth-century counterpoint courses. This growth is good because it allows for several different approaches, depending on what t...
Review of Michael Cherlin, Schoenberg’s Musical Imagination
Michael Cherlin Schoenberg’s Musical Imagination
2010/3/24
[1] Michael Cherlin’s new book fulfills two important functions admirably: it pulls together thirty years of research and analysis regarding Schoenberg’s music and writings from all periods of the com...
Review of Edward D. Latham, Tonality as Drama: Closure and Interruption in Four Twentieth-Century American Operas
Edward D. Latham Tonality Drama
2010/3/24
[1] Edward D. Latham’s Tonality as Drama presents an interdisciplinary methodology for opera analysis that fuses the dramatic theories of Konstantin Stanislavsky with the musical theories of Heinrich ...
Review of Ethan Haimo, Schoenberg’s Transformation of Musical Language
Schoenberg pitch-class set theory atonal music
2010/3/24
[1] Ethan Haimo’s recent study of Schoenberg’s music from the years 1899–1909 doesn’t present a tidy survey of the works from that era, but instead presents the reader with a critical thesis concernin...