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Nicholas Cook, The Schenker Project. Culture, Race, and Music Theory in Fin-de-siècle Vienna (2007)
Fin-de-siècle Vienna Culture Race Music Theory
2009/10/16
!(R)Our principal and perhaps oly responsibility, I would argue, is to understand!afor
to understand is not to condone, while to condemn without understanding is futile!ˉ
(147). This sentence, alrea...
Review of Henry Martin, Counterpoint: A Species Approach Based on Schenker’s “Counterpoint”
counterpoint species Schenker
2010/3/24
[1] There is a growing number of textbook choices for instructors of sixteenth-century counterpoint courses. This growth is good because it allows for several different approaches, depending on what t...
The Bridges that Never Were: Schenker on the Contrapuntal Origin of the Triad and Seventh Chord
Schenker counterpoint triad seventh chord harmony hierarchy
2010/4/21
Schenker's success in bridging the gap between strict counterpoint and free composition is reassessed, in view of the finding that in each of these two domains the notions "triad" and "seventh chord" ...