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here have been significant debates on gaps between filmmakers and film scholars. Film scholars have been critical of dominant representations that tend to overlook classist, sexist, and ethnocentric t...
Reaction times exhibit a spectral patterning known as 1/f, and these patterns can be thought of as reflecting time-varying changes in attention. We investigated the shot structure of Hollywood films t...
The structure of Hollywood film has changed in many ways over the last 75 years, and much of that change has served to increase the engagement of viewers’ perceptual and cognitive processes. We report...
Cinematic tradition suggests that Hollywood films, like plays, are di-vided into acts. Thompson (1999) streamlined the conception of this large-scale film structure by suggesting that most films are c...
Most films contain many shots knit together by several types of transitions,andbyfarthemostprevalentisthecut.Overthelast70years, fadesandwipes have become increasingly rare. Dissolves have also dimini...
We measured 160 English-language films released from 1935 to 2010 and found four changes. First, shot lengths have gotten shorter, a trend also reported by others. Second, contem-porary films have mor...
We selected 24 Hollywood movies released from 1940 through 2010 to serve as a film corpus. Eight viewers, three per film, parsed them into events, which are best termed subscenes. While watching a fil...
Popular movies are curiosities from the standpoints of perception and human evolution. To be sure, static pictures—particularly photographs—are also curiosities since they flatten, shrink, and photome...
Popular movies present chunk-like events (scenes and subscenes) that promote episodic, serial updating of viewers’ representations of the ongoing narrative. Event-indexing theory would suggest that th...
Complicating cherished assumptions about film biography, the fifties, and female spectatorship, I Want to Live! finds male filmmakers identifying with a female protagonist in opposition to the male in...
Brereton’s Hollywood Utopia and the Andersons’ edited volume, Moving Image Theory, both revolve around conceptions of ecology. Although they both start with this concept as central, each utilises it...
Written at a cultural moment when the subject of religion is at its most problematic and fascinating, Stephenson Humphries-Brooks's book Cinematic Savior: Hollywood's Making of the American Christ arg...
Bernard Rose’s Immortal Beloved: The Untold Love-Story of Ludwig Van Beethoven (1994) is widely regarded as a truly terrible film. Gary Oldman, cast as Beethoven, leads a clichéd and fictional drama t...
The International Animated Film Society: ASIFA-Hollywood has embarked on an ambitious project to create an animation archive, museum, and library for the benefit of the animation community, students a...
In the 2002 film Treasure Planet, composer James Newton Howard accompanies the primary shot of the titular orb with an undulation between two major triads a tritone apart. I offer three approaches to ...

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