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Even though Nicholas Haeffner's account of Hitchcock's cinema carries the risk of cursoriness, his careful analysis of exemplary scenes, as well as his consideration of social contexts, render his thi...
'Performing Hitchcock': Robert Donat, Film Acting and The 39 Steps (1935)
Performing Hitchcock Robert Donat
2009/12/4
This article offers a speculative exploration of performance in a Hitchcock film by looking in detail at Robert Donat's characterisation of Richard Hannay in The 39 Steps (1935). It has been argued th...
When biographer Donald Spoto published The Dark Side of Genius: The Life of Alfred
Hitchcock in 1983, critic Richard Grenier started his front-page article in the New York
Times Book Review with Geo...
Joe McElhaney (2006) The Death of Classical Cinema:Hitchcock,Lang,Minnelli
Joe McElhaney Classical Cinema Hitchcock Lang Minnelli
2009/11/25
The Death of Classical Cinema sets up an ambitious critical challenge: to address classical
and modernist cinema in regard to the possibility of a dialogue between the two, whilst
simultaneously rev...
Hitchcock and Hume Revisited:Fear,Confusion and Stage Fright
Hitchcock Fear Confusion Stage Fright
2009/11/25
This essay is a return to the scene of a crime. In my recent book on Hitchcock (Orr 2005, 26-
52) I made an outrageously general argument for the affinity between Hitch’s narratives
and David Hume’s...