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When confronted with the contemporary postmodern canon that celebrates theoretical and philosophical inquiries into the nature of texts, a reader of literature should not overlook the formidable contr...
When I first began in the middle 1960s to read Leonard Cohen, I was a young professor well under the dread age of thirty, and therefore well-placed to enjoy the enthusiasm virtually every student had ...
In the prefatory remarks to her final major collection of poetry, The Self-Completing Tree (1986), Dorothy Livesay states that "This is the selection of poems that [she] would like to be remembered by...
In her preface to Writing the Circle, Emma LaRocque asks "These are our voices—who will hear?" Perhaps the time has come when non-Natives will stop negating our identities and silencing our voices. Pe...
This is a sometimes provocative but mainly uneven critical work. Moreover, one gains the odd impression that there are two writerly voices here, one, less audible, irregularly sounding various notes o...
The literary relation between Atwood's The Journals of Susanna Moodie (1970), and Susanna Strickland Moodie's 1852 sketches of immigrant life, Roughing It in the Bush, or, Forest Life in Canada has be...

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