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The vibrato of nature as expressed in bird forms.
Th Role of Organicism in the Original and Revised Versions of Brahms's Piano Trio in B Major, Op. 8, Mvt. I: A Comparison by Means of Grundgestalt Analysis
Organism in the Original Revised Versions Brahms Piano Trio B Major, Op. 8, Mvt. I Means of Grundgestalt Analysis
2014/10/20
Johannes Brahms’s revision of the B Major Piano Trio, Op. 8, hereafter referred to as the Piano Trio, presents a unique analytical opportunity. By allowing two versions to coexist, Brahms not only gav...
A History of Opera in Boston
Opera Boston
2014/10/20
This thesis examines the cultural context of opera in Boston between the years 1620 to 2010. Specifically, I look at how the Boston Opera Company was founded, its existence, and its ultimate demise. T...
Ficino's Musica Humana: Musico-Astrological Improvisation
Ficino's Musica Humana Musico-Astrological Improvisation
2014/10/20
The improvvisatore tradition in Florence Italy during the second half of the quattrocento featured poet-musicians who sang poetry for music (poesia per musica) accompanied by the lira (da braccio). Th...
The goal of the thesis is to explain intonation perception and cognition, as well as the vocal mechanism and techniques, to help aural-skills instructors teach vocal intonation skills to students who ...
THE FORM OF THE PRELUDES TO BACH’S UNACCOMPANIED CELLO SUITES
THE PRELUDES BACH’S UNACCOMPANIED CELLO SUITES
2014/10/20
This thesis proposes a methodology for understanding the form of a Baroque prelude, particularly the preludes to the Six Suites for Unaccompanied Violoncello written by Johann Sebastian Bach. Four mus...
Th affctive properties of keys in instrumental music from the late nineteenth and early twentieth centuries
keys in instrumental music the late nineteenth early twentieth centuries
2014/10/20
The concept of affective properties of keys is based on the assertion that different tonalities are able to provide particular moods to music. Discussions regarding the existence and validity of this ...